Tudo que tenho: processos de criação em formato cênico intimista

Abstract

The purpose of this work is to record and analyze the creation process in an intimate scenic format, its particularities and differences in relation to more traditional theater formats. It is a process linked to immersion theater, which is characterized by the creation of an intense, immersive and transforming experience between artist and audience and which is commonly presented in a vis-a-vis format, that is, for one spectator at a time. The aim here is to discuss and present the tools and methods used to reframe the theatrical elements, in order to achieve proximity with the spectator. It is not, however, a mere physical proximity, but an intense proximity that gives freedom to the spectator to be an active and inherent part of the work, exercising an emancipated and unlimited participation in the entire scenic event. In addition to these more conceptual discussions regarding the intimate format, this work will also analyze the re-editing of the work Tudo Que Tenho, which was initially created in a remote environment, due to the advent of the covid-19 pandemic, and which now, with the return of face-to-face activities , is now recreated for the face-to-face environment. In this sense, it is also of interest to discuss the quality of the tools and methods used for each environment in which the work was presented.